OSMANLI/TÜRK MÜZİĞİNDE 15. YÜZYIL: MURÂDNAME 34. BÂB İNCELEMESİ

In this article, Murad-Nâme’s music is examined by Bedr-i Dilşâd. The book the translation and commentary of Kabus-nâme which it written Keykavus b. İskender in 1082. But many parts Murad-Nâme are to be expanded, including part as well. When 34th section; It seen that “esoteric symbolism-based makam model” 15th Century represents theoretical understanding. This classification -this makes model question different from other next models- made form “makam-âvâzeşûbe- terkib”. concept “makam” has a fundamental role model. And also there been another important feature these concepts associated with horoscopes, planets, four elements time, regard esoteric nature section reflects most features describe terms stylipment. included twelve makam, seven âvâze, şûbe fiftyfour terkib names, their identification made. Besides musical science, musician singing rules effects on listeners etc. included. century style Turkish through example based hermeneutic approach its relationship Music was creating tables better view whole. some tables, comparisons Rûhperver -is 17th same style- order see between period century; similarities differences 15th-century definitions tried shown.